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In Danny Boyle's film Slumdog Millionaire, however, this aesthetic code was revised in the sense that it is the kiss, rather than the song and dance, that performed the act of couple-formation. "Vasudevan s innovative concept of the imaginary public, developed across these essays through close analysis of Indian cinema s melodramatic practices and the socio-cultural conditions of their operation, recasts our understanding of the relation between text and context and offers a welcome new approach not only to the application of melodrama to Indian filmmaking but to theorization of cinema itself.Hindi cinema's aesthetic code often makes use of the song sequence to function as an engine of couple-formation. The author s deep familiarity with world cinema traditions shines forth and illuminates local questions and challenges prevailing theories." - M. "One of the pioneers of film studies in India, in this long-awaited book, locates Indian popular cinema in a world context and offers a thoroughly revised understanding of melodrama as a global aesthetic with a rich Indian history. He proceeds from a genuinely global perspective, while nonetheless persuasively making the case for regionally specific and local factors in the history of modern popular culture." - Thomas Elsaesser The Melodramatic Public is not only the most comprehensive book to redirect our understanding of Indian popular cinema, carefully tracing its manifold roots and conducting a painstaking archaeology of the genre, but Vasudevan also redraws the map. "Here, finally, is the definitive and authoritative study of melodrama we have been hoping for.